The Bloom Between

This photographic series reinterprets the proverb Hear No Evil, Speak No Evil, See No Evil through a contemporary lens, using portraiture and natural elements to explore the aesthetics of perception and the subtle construction of innocence.

Across three images, the human form is partially obscured by carefully placed flowers—each arrangement corresponding to one of the senses. The florals serve as both a visual shield and a symbolic layer, referencing the naive frameworks we adopt in childhood to navigate an often overwhelming world.

The choice of fresh, dewy blooms is deliberate: the flowers signal beauty and fragility, while the presence of moisture introduces a fleeting quality—an acknowledgment of innocence as a transient state. Each composition invites close viewing, with fine details that reveal the tension between softness and restraint, openness and protection.

By blending botanical textures with the controlled structure of studio portraiture, the series creates a dialogue between the natural and the constructed. The result is a visual meditation on how perception is shaped—not only by what we choose to see, hear, or say, but by what we instinctively shield from view.

Speak No Evil

Hear No Evil

See No Evil

Tongue Tied

Tongue Tied is a digital photography series that traces the shape of love across languages. Fifteen Cornell students—each speaking a native tongue—were photographed saying “I love you,” captured frame by frame in 12-image sequences that follow the movement of the mouth as the phrase takes form. These visual soundwaves reveal how something as intimate as love can feel remarkably familiar across lines of culture, origin, and dialect.

Alongside each individual sequence, a composite series weaves together mouths from different speakers—one image per syllable—to reconstruct the phrase “I love you” in English. This blended expression, available upon request, becomes a stitched-together language of shared emotion, echoing the idea that while love may sound different around the world, its rhythm is the same. Tongue Tied is a meditation on connection, vulnerability, and the quiet ways we understand one another—without needing to speak the same language.

Botana - Architectural Design

Botana is a courtyard-style bar concept designed for the Ithaca Commons, developed through AutoCAD, Revit, and Adobe Suite. The project integrates environmental simulation data—light, weather, and seasonal cycles—to create a responsive, immersive hospitality environment. The spatial organization is anchored by a central circular bar, fabricated in translucent acrylic with a violet hue, surrounded by custom black stools and a continuous wood path that guides circulation. Above the bar, a suspended cylindrical canopy in glass introduces verticality and light diffusion, serving as both a focal point and lighting element. Enclosure is defined by high green walls, which mimic the texture of vertical gardens while providing acoustic and thermal buffering. Seating throughout the space is integrated with soft landscaping and custom-designed petal- and flower-inspired furniture elements, balancing playfulness with functional comfort. The facade features a layered system of curved structural fins and translucent panels, introducing filtered daylight and creating a dynamic visual identity from the street. The integration of natural forms—blossoming trees, groundcover, and a sculpted terrain—creates a tactile contrast to the synthetic material palette, emphasizing a hybrid approach to indoor-outdoor design. Botana explores the boundary between architecture and landscape within an urban hospitality context, proposing a spatial experience that is immersive, site-specific, and atmospherically driven.

Temple of Zeus - Cafe Merchandise Design

This hoodie for Temple of Zeus café reimagines brand identity through graphic design and apparel. A real café receipt is screen-printed on the back, mimicking the texture and scale of thermal paper, complete with date, order number, and item list. Made from heavyweight brown fleece to echo the café’s earthy feel, the front features a handwritten logo nodding to its campus roots since 1964. The piece transforms everyday café visuals into lasting merchandise and memory.